A Daughter’s Work Is Heartless by Nature by Caledonia Kearns

$19.99

 

In the title poem of this deeply female book, a mother counsels: “But loss can be learned. It just takes practice. Don’t look back. Eat the six seeds.” There is a legacy of loss at the heart of these poems which are haunted by the past but fiercely in the present. Kearns is a big-hearted storyteller with a fiction writer’s sense of conflict and intriguing opening “hooks” (“There was no choice but to bet on the filly.”)  A Daughter’s Work is Heartless by Nature crackles with the energies of neighborhood, the gorgeous vitality of Brooklyn.  Fueled by hunger, outrage, and a tender generosity, it is alive to the difficult questions—and beauties—of our ordinary day-to-day struggles.

–Donna Masini

 

“Love” seems too pallid a word for the wrenching human connections laid bare here and “beautiful” seems too weak a word for the spiky intensity of Caledonia Kearns’ poetry.  And yet at the core are love and beauty, hard-won and bracingly real.

–Katha Pollitt

 

As I started to read Caledonia Kearns’ “A Daughter’s Work Is Heartless by Nature”, I thought, this is what you get when a poet fires on all cylinders. All of these poems snap, crackle and refresh, without an ounce of extra baggage, and like all useful verse lead a reader to revelation; you think you’ve seen New York, but now you discover all the small, overlooked eddies that had slipped your eye, ear and memory; she takes the fractures of a marriage, and uncovers truthful music as it breaks. When I finished reading, I thought Caledonia Kearns has written a book that will be read, admired, and passed along.

–Cornelius Eady

 

Description

A Daughter’s Work Is Heartless by Nature

by Caledonia Kearns

$19.99, Full length, paper

978-1-63534-985-6

2019

CALEDONIA KEARNS was born on the Lower East Side of Manhattan and grew up in Dorchester, Massachusetts. She received a BA in Women’s Studies from the University of Massachusetts, Amherst and an MFA from Hunter College. She is the editor of two anthologies of Irish American women’s writing, Cabbage and Bones and MotherlandHer poetry and essays have appeared in The Awl, The Boston Globe, Drunken Boat, The Hairpin, Mom Egg Review, and Painted Bride Quarterly, among other publications. She lives in Brooklyn.

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