American Rondeau by Carmine Di Biase

$14.99

 

This evocative chapbook takes the reader from ancient Rome and its violence to the modern world cursed with melting icebergs and Covid-19. Along the way, Carmine Di Biase reimagines scenes from Shakespeare’s plays, and displays a remarkable gift for inhabiting the minds of the bard’s characters. There are other poems here that fuel contemplation through arresting imagery: two lovers’ long journey from first sight to days waning fast away, a cyclist’s sorrow over a riding companion’s death. An excellent collection.

–Lawrence E. Hussman, author of Desire and Disillusionment: A Guide to American Fiction Since 1890 and the chapbooks Last Things and Pre-Posthumous Poems.

 

There is formal integrity and delicious craftwork in Carmine Di Biase’s new collection, American Rondeau, Reading well-wrought poetry, hewn from intellect and heart is a truly satisfying experience. These poems sing from a height and echo long after they’re read. Fully realized, these undertakings into life and soul are as accomplished as they are memorable.

–Lenny DellaRocca, founder and co-publisher, South Florida Poetry Journal-SoFloPoJo

 

Turning to traditional poetry forms of ballads, elegies, sestinas, sonnets, and rondeaus, Carmine Di Biase’s American Rondeau mines the fear, grief, and brutalities of our present day. Such formalities doubly reward readers familiar with the rigors these conventions demand by adding extra complexity for interpretation to the lucidly detailed collection’s surface punch.

 

Referencing Shakespeare’s Lavinia, Prospero, and Iago—among other victims and treacherous characters—Di Biase’s exacting retellings of barbarism, blood lust, and greed are dripping with viscera, bones, and the terrible crack of melting glaciers. Lyrical infusions of timeless tenderness temper the savagery: blue-petaled violets, love at first sight, and the solace of daily bread, work, wine.

 

Di Biase’s deep background in theatre enhances his poetry’s rhythmic qualities, and his disciplined frames serve as a proscenium, widening the reader’s lens and lending a cinematic air to his exploration of “the dreamtime history of America.”

 

In this time of pandemic, global economic collapse, and out-of-our-hands chaos, Di Biase’s formalist poetry offers a meticulous—and comforting—insistence on narrative control, bearing witness that human history is a chronicle not only of suffering but also of endurance.

–Kimberly Willardson, editor, The Vincent Brothers Review

 

Review in the European Journal of American Literature:  https://journals.openedition.org/ejas/21735

 

 

 

 

 

 

 

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American Rondeau

by Carmine Di Biase

$14.99, paper

978-1-64662-935-0

2022

This collection of poems came about rather unexpectedly, as a result of Carmine Di Biase’s experience as a translator. He was translating some poems by Cesare Pavese, which eventually were published in L’anello che non tiene: journal of modern Italian literature. Those translations turned out to be a kind of apprenticeship, and Di Biase found himself writing some of his own, with no intention, at first, to publish. Some found their way into poetry journals, and eventually, when he realized there was a certain coherence among them, he assembled this chapbook, American Rondeau. The poems it contains are explorations in formal and free verse; they are all expressions, however, of a moment of feeling, a moment of life in the spaces between worlds, one European and another American. And there is a third world here as well: the literary world, in which Shakespeare figures large. This world, which Di Biase inhabits much of the time, is often, to his mind, inseparable from the world that everyone inhabits. He sees his poems, therefore, as a kind of dance in the free and open spaces between worlds, spaces where reflection and discovery are possible. For this reason, his collection opens and closes with a rondeau, and there are a couple more rondeaus in between, and a ballad as well. But all poetry must, on some level, have a pulse, a beat, a certain step, for in the end, poetry is a journey, and every journey, like every poetic form is therefore, in some way, a kind of dance.

Carmine Di Biase writes about English and Italian literature, and his poems have appeared in various journals. He also writes for academic journals and for the Times Literary Supplement. He is Distinguished Professor of English Emeritus at Jacksonville State University in Alabama, where he lives with six cats and his wife, who teaches music and is principal cellist for the Gadsden Symphony Orchestra.

 

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