Black Water Beneath a Lid of Ice By Toni L.Wilkes (NWVS, #82)

$14.00

 

In this book, a mother’s fierce, unflinching observations of her daughter enduring a series of horrific brain surgeries are juxtaposed against the delicate tracings from an almost mythical past. Whether watching a surgeon tie off a “monkey stitch/tatting” her child’s scalp or recalling “The Girl on the Diving Board,” intact, beautiful, and poised on the brink of adulthood, Wilkes brings care and passionate precision to language in poems that articulate the gap between what was and what is, and between what is and what could-have-been. Many voices speak in Black Water Beneath a Lid of Ice, but it is the mother’s that rings through, standing up to a busybody cleric in the unforgettable line, “I made my daughter cell by cell,” internally raging that “The God I know doesn’t make plans like this,” or recognizing herself as Madame Defarge, but “knitting my own/name in the blanket.” In the end, Wilkes eschews sentimentality and tidy resolution and leaves her readers in “this/dark hush before bedtime,” just as life does, in the aching places in between.

Rebecca Foust, author of All That Gorgeous Pitiless Song (Many Mountains Moving) and God, Seed (Tebot Bach Press).

 

When the phrase “pulls at the heart” is used to describe a manuscript, the fear is that the work is saccharine or, worse, maudlin. Toni L. Wilkes’s latest manuscript Black Water Beneath A Lid of Ice steers clear of these pitfalls and is, by turns, riveting in its language, clear-eyed on its torturous path. The speaker’s grief mixed with observation of even the most minute details make this book immensely soul-satisfying and very readable. I’m glad I didn’t miss the journey.

–Lynne Thompson, author of Beg No Pardon (Perugia Press).

 

Sometimes the entire world shrinks to one small room, where a relentless turn of impossible days bears the blunt intensity of human love, persisting. In Black Water Beneath a Lid of Ice,Toni Wilkes takes her reader, as one might choose a trusted friend, as companion on the harrowing journey inaugurated by her adult daughter’s stroke. As hours of crisis become days, then months, and eventually years, a series of surgeries, of failed ventricular shunts, and of memories of other days’ ease and light, we find ourselves wandering hospital landscapes and complex family constellations accompanied by a stunning gentleness. Wilkes’s eyes and words are wholly unsentimental, unstinting, clear. A beauty begins to creep forth. “…your brain a bleeding cluster,” the poets sings to the daughter, and it is almost a blossoming. As the daughter’s body is ravaged, respect for her stays intact, and this mother is able to say, “Mostly, she knows that/ today may be all she’ll ever get.” If there is something greater, more enduring and real, than hope, it begins in the passage of these poems, to flower.

–Christina Hutchins, author of The Stranger Dissolves (Sixteen Rivers Press).

 

 

Description

Black Water Beneath a Lid of Ice (New Women’s Voices Series, No. 82)

by Toni L. Wilkes

$14, paper

Prior to relocating to Northern California, Toni L. Wilkes was a freelance screenwriter and fulltime story editor for feature film director Peter Hyams in Los Angeles. She has conducted creative writing seminars for “Celebrate the Gift” on the campuses of Chapman University and Purdue University.

While majoring in English at UCLA, Wilkes focused her studies on poetry. She was invited to attend the Napa Valley Writers’ Conference and currently participates in master classes with David St. John.

Wilkes is a member of the California State Poetry Society and the Marin Poetry Center. Additionally, she and her husband, Gregory W. Randall, sponsor the Londonberry Salon a quarterly reading series in their home for award-winning poets: David St. John, Susan Terris, C.B. Follett, Terry Ehret, Gary Young. Wilkes serves as a board member for the Sonoma County Library and Poetry Committee Chairman for the Sonoma County Book Festival.

Her work appears or is forthcoming in California Quarterly, Confrontation, Cream City Review, Folio, GW Review, Hayden’s Ferry Review, Healing Muse, In Posse Review, Iodine Poetry Journal, Pinyon, Poetry East, Roanoke Review, Rosebud, Southern Humanities Review, Sow’s Ear Poetry Review, Touch: The Journal of Healing, The Texas Review and other noted journals. She lives with her husband, Gregory W. Randall, in Santa Rosa, California where they own a financial planning practice.

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