Earthen by Thomas Festa

$14.99

 

“Brightness falls from the air,” Thomas Nashe proclaimed with wonderful pathos in an ageless lyric written 400 years ago in another time of plague.  Thomas Festa responds in this volume’s final poem—though set in a cemetery and a funeral home—with a rejuvenating apostrophe:  “You, brightness, are a world / unto yourself,” the light from which can redeem the inexorable detritus of mortality (“faded baseball caps, / mute ukuleles, empty Guinness bottles”) catalogued in these poems of love and loss.  “Observe,” he implores the reader, “the posture of oblation” even in the face of “the will of stone.”  We should observe too, along with his auspicious prosodic savvy and his exemplary dedication to economy, the poet’s resonant diction, from his splendid collection’s rich title onward.

–Stephen Yenser

 

In his debut chapbook, Earthen, Thomas Festa’s linguistically rich, taut poems show how the communities we create arise through acts of attention—between student and teacher, parent and child, lover and beloved. Evocative, contemplative, and often moving, Festa’s poems inhabit these moments of attention that make us both more alive and more compassionate.

–Carrie Etter

 

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Earthen

by Thomas Festa

$14.99, paper

979-8-88838-075-8

2023

Earthen offers poems meditating on grief and passion, their interrelations, their beguiling renewals. Charting an individual path from experiences of death and divorce, through childrearing and teaching, to rediscovery of love, these poems seek our common ground in quiet, moments of lyric reflection. With a keen attention to the histories of words, places, and selves, the poems in Earthen environ us.

Thomas Festa is Professor of English at the State University of New York, New Paltz. Born in Santa Monica, California, he graduated summa cum laude from UCLA and holds a Ph.D. from Columbia University. He is the author of a study of John Milton’s poetry, The End of Learning (2006), as well as over two dozen scholarly articles, and has co-edited four anthologies, including the award-winning feminist teaching text, Early Modern Women on the Fall (2012). His poems have appeared in Bennington Review, Chronogram, Connecticut River Review, Contemporary Haibun Online, Drifting Sands Haibun, Haiku Journal, Lightwood Magazine, Poetry Quarterly, Shawangunk Review, Stone Poetry Journal, and elsewhere.

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