Hot Mess by J. Andersen

$14.99

 

“After losing two children, the speaker of these poems writes of her deep suffering with openness; and when read one after another, along the trajectory of these poems, hope peeks through—in the form of a lost part of the speaker, a fire-breathing woman who may bring understanding, and in the form of these lines: ‘I think there’s / still a chance / for me / to believe / in something.’”

–Ashley Inguanta, author of The Island, The Mountain, & The Nightblooming Field

 

It is rare to find a collection of poems that is both accessibly frank and heartbreakingly true. With her colloquial turns of phrase enmeshed with breathtaking lyricism, J. Andersen’s Hot Mess captures the brutal grief of generational trauma and the struggle for stability—in relationships and with oneself—amid concurrent child losses. Andersen doesn’t pull punches or pretend that things will magically become better; instead, her poems steep into pivotal moments of conflict and discovery. In each snapshot poem, Andersen expertly distills moments of pain, absence, and even tentative hope and healing with recurring metaphors grounded in the Earth and reaching for the cosmos. These immersive confessionals paint the portrait of an unsteady life rife with pain and potential. Aptly-named, Andersen’s cathartic collection serves as an anthem for anyone striving to hold it together.

–Leslie Salas, editor of Other Orlandos and co-editor of Condoms & Hot Tubs Don’t Mix

 

 

 

 

 

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Hot Mess

by J. Andersen

$14.99, paper

J. Andersen has always been intrigued by the absurdity and uncertainty of life. In “Hot Mess” she writes about some of the tougher aspects of it, looking at life, death, love, grief, and so much more, yet finding beauty where others may not. That’s what “Hot Mess” is. The bizarre and the beautiful. Just one tangled, hot mess.
J. Andersen studied Creative Writing at UCF where she graduated at the top of her class and was awarded the Most Outstanding Poet Award in 2012. Deeply involved in her local community, she helped organize the first Florida Writer’s Conference at UCF, interned at The Florida Review for two years and often performed spoken word at local venues or on campus. She self-published a chapbook called “Tongue Anatomy” in 2012 and moved on to get a Master’s Degree in Screen Writing from Full Sail University in 2019. When she’s not writing feverishly, she spends her time at home with her family, working on future film projects and outreach programs, creating concept packages for businesses together, and enjoying this wonderfully strange world that we live in.

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