Mother Ship by Paul Jaskunas

$17.99

 

“With stunning imagery and patient, skillful syntax, these poems shimmer and brim with feeling. Here, we are intimate with mystery inside tea and clouds, in news of a death across the sea, in a bedroom slipper ‘walking the current with uneven steps’ down the Lethe river, in gathering chanterelles while learning Lithuanian words for ‘blueberry/ pine/ birch’.

 

I trust the intimate voice of these poems when it warns of our collective noise and ecological teetering as much as I do when the speaker leans towards a boozy giant stranger on a train, toasting to ‘euros, to dollars, to Mercedes Benz.’ This is a poet of imagination and deep compassion, conjuring a world where dreamlike imagery reveals truths underneath the oblivion of our days. Somehow, these poems meet the immensity of our moment on earth by making of our collective ecological disasters a myth of which we are the tragic center. As ‘We passersby/ yet smile and nod and shake/ hands with a feral future/ just now beginning to snarl.’ This is a book of poems I will hold close and return to again and again.”

 –Anne Haven McDonnell, author of Breath on a Coal

 

“In Mother Ship, Paul Jaskunas ferries back and forth across oceanic Lethes, singing of the warp of time, its disappointments and erasures. Pondering ‘the minor key of the age,’ he invites us to inhabit the lacunae between real and ideal, memory and forgetfulness, impermanence and endurance, always bringing to bear the poignant knowledge that all ‘wholes and halves / will vanish in the / indivisible sky.’”

–Malachi Black, author of Storm Toward Morning

 

“At once meditative, opinionated, political and personal, the poems in Mother Ship offer us rich rhythms and melodies accompanied by luscious and surprising images. These are poems of juxtaposition: urban/rural/mythic/earthy, set in both Europe and America. There are surprising turns and alignments—a poem about the vulnerable snow leopard, for example, asks us to imagine parallel vulnerabilities of books, readers, and language itself. All are uncannily possible in the hands of a poet who navigates both hope and apocalypse with equanimity. Paul Jaskunas invites us, in a poem with the same title, to ‘Come to the Table’ where we are waited for, and as he says in the poem, ‘There is no time to waste.’”

–Jennifer Wallace, author of Raising the Sparks

 

“‘[O]f what is our hour worthy?’ Paul Jaskunas asks in Mother Ship. One’s place in the passage of time—reckoned by both memory and forgetting—is the theme that knits together this marvelous collection. Jaskunas delicately probes the ways humans ravage the planet to create ‘the fractured melodies / of our slow catastrophe.’ Even in the face of catastrophe, though, the Mother Ship of Jaskunas’s title poem commands survivors: ‘Stay afloat.’ An especially haunting group of poems set in post-Soviet Eastern Europe—with its mushroom hunts, Lenin statues, and garrulous BMW dealers—explores what happens next. Paul Jaskunas asks the big questions with rare humility and genuine grace: Mother Ship is a collection to treasure.

–Katherine E. Young, author of Woman Drinking Absinthe, Poet Laureate emerita, Arlington, VA

 

 

 

 

 

 

 

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Mother Ship

by Paul Jaskunas

Paper

List: $17.99

979-8-88838-743-6

2024

In Mother Ship, we gather chantarelles and words in a Lithuanian wood. We watch snow fill Lenin’s eyes, picnic in a burning field, and shake hands with “a feral future/just now beginning to snarl.” In poems of witness and warning, Paul Jaskunas envisions the ecological precarity to come even as he evokes the mysteries of the past and attends with care to the urgent possibilities of our moment. Inviting readers to “drink the cold water/from underground rivers of time,” Mother Ship shines with grace amid the wreckage of history.

Paul Jaskunas is the author of two works of fiction: The Atlas of Remedies (Stillhouse Press) and Hidden (Free Press). His writing has appeared in many periodicals, including the New York Times, America, Tab, The Pierian, and the Potomac Review. He is a past recipient of the Friends of American Writers Award, a Fulbright scholarship, and grants from the Maryland State Arts Council. Since 2008, Paul has taught literature and writing at the Maryland Institute College of Art, where he edits the art journal Full Bleed.

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