A woman goes on a journey. She moves through time and space.
Her attention is acute, always asking of the journey itself, “What
border are we crossing?” So it is that Susan Kolodny’s Preserve
takes the reader not only to the natural habitats of Africa, but on
an interior voyage where the mind “slowed, discovers/ its intricate
course.” In these poems, awareness has an animating grace:
whether observing a birthday, a python, or an elephant who
“carries/ a branch bouquet of green,” Kolodny compels the reader
to surrender to “the curiosity that is a form of love.”
–Elizabeth Robinson
Susan Kolodny’s moving new collection begins with her arrival in
Botswana and tells the story of a journey that transforms her
understanding of herself and her own culture. She confronts “others”
that range from vividly described impalas, warthogs, and elephants,
“ears swung wide as saloon doors,” to the German travelers she sees
in a new light after sharing dinner with them. She observes everything
with poignant clarity and honesty, coming to see her own species as
creatures who “can go around/for years not noticing/a thing. Not even/
that they are lonely and afraid.” Kolodny is unsentimental about the
challenges that game preserves face trying to save “the wildebeest on
the landing strip” from the greed of the modern world, and the book itself
becomes a Preserve she creates to save a world whose survival is at risk.
–Robert Thomas
The naturalist and the poet unite in this collection, inviting the reader
to explore Preserve’s landscape through an unromanticized yet deeply
appreciative lens. In a world sparsely populated by humans but rich in
wildlife, we become “mere specks under African skies,” drawn to the
intricacies of the other, whether an elephant emerging from a grove of
trees, a beetle thumping against a screen, or the occasional fellow traveler.
Meditating on the relationship between the observer and the observed, this
is a precise poetry, one in which we are asked to “always newly see…”
–Susanne Dyckman
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