K. E. Ogden‘s stunning chapbook, “What the Body Already Knows,” is a journey through grief for a father who “hung the sun” and a troubled mother who lives in memory as “fingerprints in the tops of all those biscuits.” Every poem is rooted in the world of the body—of those we love, of the earth, and of the sea, where the poet surprises herself by “singing underwater,” a perfect metaphor for what Ogden’s poetry accomplishes: a music all her own, rising, above all odds, from sorrow’s depths.
–Rebecca McClanahan, author of In the Key of New York City and The Tribal Knot
*****
Every once in a precious while, a book comes into my life that shakes me out of my long days and worries, one that offers me honesty and real connection to its author. K.E. Ogden‘s new collection of poetry, What the Body Already Knows, is exactly that kind of book. These poems provide an atlas of loss, both to it and away from it, line by line. Whether telling the story of a mother lost in her sleep, a day lost to rumination over the corpse of a deer, or an entire year lost to loss itself, these poems show a way through it all. Yes, there is pain here, and fear, hospital rooms, and heavy memories from hard days, but these poems are much more than specimens lined up as examples of troubles in a drawer. They are alive, and colorful, and covered in all manner of beauty to render life’s real value.
–Jack B. Bedell, author of Color All Maps New, Poet Laureate, State of Louisiana, 2017-2019
*****
K. E. Ogden‘s What the Body Already Knows begins with a father highlighting for his daughter the way out. Of course there is no way out. This collection chronicles the “year of forgot to breathe,” the year both parents die. In a pastoral scene, we see the pond filled with tires and truck parts, the pond where they throw in a dead deer on the count of three. These harsh, beautiful poems stun us with honesty, grit, and transformation.
–Peggy Shumaker, author of CAIRN and Gnawed Bones
*****
K.E. Ogden‘s “What the Body Already Knows” manifests the circular and cyclical nature of grief with stunning directness and clarity. These poems are “muckings of primordial mud,” yet amazingly they give words to what cannot be said. Ogden examines the wreckage of loss, and these parts are “scooped up to make a new world.” I have never thought of loss as a mirror before reading these poems, but grief in this collection becomes a way of seeing the self in a world forever changed.
–Adam Clay, author of To Make Room for the Sea
*****
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