Jessica Lowell Mason is an instructor with the Bard Prison Initiative, an adjunct instructor at Niagara University and the University at Buffalo, and a doctoral candidate in the Department of Global Gender and Sexuality Studies and research assistant with the Center for Disability Studies at the University at Buffalo. Her first book of poetry, Straight Jacket, was published by Finishing Line Press in 2019.
PRAISE:
In A New Flora, Jessica Lowell Mason gives us “dreaming/flora fire, blue-red”: passionate poems that embrace garden metaphors, powerful elements of nature, to express love-and-more among women. Truly this collection is “the tree that lives,” clear in emotion, insistent that we appreciate what blooms, grows, survives.
–Katharyn Howd Machan, author of A Slow Bottle of Wine
With her beautiful collection of vivid eco-poetic sapphic erotics in A New Flora, Jessica Lowell Mason transports the reader into another place and time. Mason features an array of more-than-human protagonists in her evocative ecofeminist worlding. Her poems of nature are peppered with sensitive reflections on death and loss. Her deliberate echoing of individual words and lines emphasize the rhythm and import of the reflections she calls forth through her poetry. In these works of fierce lesbian love and desire, Mason imprints an earthy and ethereal sensuality in the queer relationships she weaves between women, nature, shadow and light.
–Glynnis Reed-Conway, Co-editor of BIPOC Alliances: Building Communities and Curricula
This exquisite book elevates and transports the reader. Revering and reimagining the rich “Herstory” tradition, A New Flora contributes to a Sapphic poetics, coming alive and taking you from the distraction of life’s potent weeds to the joy of roaming in a glorious garden of blooming flowers in their prime.
–Kathleen Bryce Niles, Editor Emerita of The Comstock Review
These poems, a garden of flowers beyond “the gates of trembling,” invite us to consider grief and rebellion, love and sex, motherhood and lesbianism. The poet, tender, sometimes ferocious and divinely feminine, opens for us her own intensely personal “library of desire,” which pulls both ways, toward death and the past, and toward the fierce and fragile possibility of future.
—Anna Quon, Poet Laureate for Halifax, Nova Scotia 2024-2027
These are poems that force the mind and heart to work together in fierce compassion, unthinkable beauty, and ascent out of grief. They are poems that refuse to separate the scream from saturation, denying ecstasy its simplicity, fusing heritage with horror and delicate surprises. Drawing on ever so many illusions to become an elegy and sexualized journey at once, they do not glorify or extinguish what humans and nature have ravished or planted. They make love itself into the wizard of it all. A truly magnificent body of work.
—Erika Duncan, Founder and Director of Herstory Writers Network



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