This is a beautiful book, written by a contemplative and generous poet with a musician’s ear and a photographer’s eye. The metaphors sprinkled throughout—“Tiny tongues of sand,” “moist chiffon of fog,” “lips of clothespins,” “skirt of the ocean.”—all add up to a rich and sensual reading experience. The sound and rhythm of lines such as “Make me your summer lullaby” and “our waterbed a boat in its own warm harbor” beg to be read aloud and simply made me swoon. In the last section of the book, the poems widen into a provocative and intelligent exploration of social justice; the poem, “My First History Lesson” alone is worth the price of admission. This book is both soothing and exciting and these poems will stay with me for a very long time. All in all, a very profound reading experience.
–Lesléa Newman, author of the dual memoir-in-verse, I Carry My Mother and I Wish My Father
Here is a book about loss and connection – written with the power and imagination of an accomplished poet who invests the feminine spirit with love, power, grace and redemption. She traces love from the blue found in her grandmother’s hands through the wisps of blue that brush across the sky and lands in the cornflower color of her wife’s eyes.
Here is a woman who has found a cathedral in nature that blesses her with endless images: beauty, joy, pain, and love with a depth that illumines all parts of the poet’s life and yet at the climax, skillfully brings us into the crushing tragedy of the murder of three civil rights workers.
Here is a poet who follows a path of vowels and consonants down to the ocean, who won’t let hope slip away with the king tides: It is the women who look up at the sky and see their children nestled in the moon. It is the women who hem the skirt of the ocean.
–Elizabeth Kirkpatrick-Vrenios, author of Special Delivery and Empty the Ocean with a Thimble
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