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BREAKING OUT OF THE COCOON by LISA RHODES-RYABCHICH

$19.99

$19.99 Full-length, paper

978-1-64662-527-7

2021

https://www.americanlegacyawards.com/

 —Finalist 2026 American Legacy Book Award for Poetry

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Lisa Rhodes-Ryabchich is an adjunct screenwriting professor at Westchester Community College, the author of the short stories “Wednesday’s at Salvatore’s Pizzeria” and “Yarla the Entrepreneur” both from ArLijo; Retribution On Cash Street” by Not Your Mothers Breast Milk and from Arlington Literary “Sunday’s at Yankee Stadium,” and “Moving On” by Drunk Monkeys; “The End of an Affair” by Hearth & Coffin, “The Fatal Hour” is forthcoming from The Stray Branch and elsewhere. She was a 2nd place prize winner in the Empyrean Literary Magazine Spring Fiction Contest for her short story “Glory on the Bus”.
She has two poetry chapbooks, “We Are Beautiful Like Snowflakes” & “Opening the Black Ovule Gate,” a full-length collection of poems “Breaking Out of the Cocoon” was a 2026 finalist for The American Legacy Book Award, and all published by Finishing Line Press http://www.finishinglinepress.com.
Another full-length poetry book “Peripeteia” was published in 2020 and a third full-length collection “How You Get to There” in 2021 which was a finalist for the American Legacy Book Award in 2026; her fourth full-length collection “Dear Blue Harp Strumming Sky” in 2022 was a 2026 finalist for the American Legacy Book Award; and in 2026 “The Language of Kindness” was published, all from CyberWit.net.

She is writing a novel “The Yellow House of Unpardonable Ghosts,” and compiling a collection of short stories. She was a 2016 fellow at Martha’s Vineyard Creative Writing Institute. She has an MFA from Sarah Lawrence College. She is a poetry book editor for Action Spectacle Magazine. She was nominated for a PushCart prize in poetry for “Igloo” by OyeDrum. She is a member of Sundance Collab, and the Society of Children’s Book Writers and Illustrators (SCBWI). Her blog is https://www.lisarhodesryabchichpoetryblog.Wordpress.com.

 

PRAISE

 

Not for the faint of heart, the poems in Breaking Out of the Cocoon tell the story of a family in crisis and a woman “tortured in mind, body and soul” who is pushed off an unthinkable edge. Through her poetic accounting of these distressing events, Ryabchich attempts to contain the tragedy hidden in the poet’s signature and bones, eradicating it as “weeds pulled from the flower garden until it blooms no more.” Like “twilight emerging from Heaven after a downpour – after everything seemed doomed to disaster,” these poems take the reader on an emotional journey from the depths of suffering to an ultimate place of healing.

–Claudine Nash, author of Beginner’s Guide to Loss in the Multiverse and The  Wild Essential

 

“A child’s frightened eyes tiptoe through darkness.” I’m betting Anne Sexton would have liked that line and many more in this volume, just as she’d admire the carefully chosen verbs throughout – such as those used to spill the beans of the characters she allows us to meet – dozens of them, including: slanted, nestled, oozing, trashed, shunned, jabbed, and beaten. These poems will have a fine journey.

–Dan Masterson

 

An unworldly lady emptied of heartache had just a needle and a thread of optimism to suture her failing heart, Lisa takes us through the finespun yarn of self-destructive near adventure of injury and intimacy; of wanting badly to live; of needing to undo knotted arteries clotted in purpling sting. In these instructive poems, a nameless child running to ‘evade injustice’ is thrown into a whirlpooling kindergarten of daily filth, a blinding black hole where his ancestry knives through his feelings and forces him to find balance between reminiscences and scavenging through shadowy spaces – in search of hope at the mouth of a city glowing in orange sunrise, we unearth enchanting surprises in verse, a flutter finally finds its reason to wing through unchartered paths….Then there’s the “Crazy Bastard!” This collection suffices as an anecdotal mirror especially in these troubling times.

–Shittu Fowora

 

 

 

 

 

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