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Sharky by Andrew Rahal

$22.99

Full-length, Paper

979-8-89990-769-2

2026

Pre-order Price Guarantee until September 25, 2026

This title will be released on November 20, 2026

 

Sharky navigates the murky depths of new parenthood, drawing from the poet’s own experience moving across the country with his young family and subsequently living in Belfast, Northern Ireland through the COVID-19 pandemic. The poems in this debut full-length collection both marvel at the fringes of human landscapes, like sleepless nights in foreign children’s hospitals and roadside campouts in the middle of America, and wade through the ordinary chaos of child-rearing to discover enduring visions of play and joy in such precarious times. 

 

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Andrew Rahal is the author of the chapbook No New Wilderness (Seven Kitchens Press, 2021) and his poetry has been published in numerous journals including Poetry Ireland Review, Interim, Great River Review, Crab Creek Review, and elsewhere. He received a PhD in English from the Seamus Heaney Centre for Poetry at Queen’s University, Belfast and currently teaches English in Wilmington, North Carolina. He lives with his wife and two children.

 

PRAISE:

 

Andrew Rahal‘s Sharky is a beautifully textured collection: poems of place, of  fatherhood, of love and exhaustion, of environmental degradation. Rahal is concerned with experience, with testing, tasting, speaking. Here is the mouth of a river, the mouth of a shark, the mouth of a baby with “the universe expanding on [their] tongue”, and the poems delight in their own gorgeous facility for language: as a teacher says of his students, “I want them to know the mouth provides an embarrassment of riches.”

–Nick Laird

 

In Sharky, Andrew Rahal conjures a quotidian magic. Each poem develops into its own uniquely cinematic Polaroid: dreamy, tender, playful, perceptive in its framing, and, perhaps most essentially, genuine in its voice. Together, the poems reveal the layers of depth and complexity beneath the ordinary world—both its wonders and its violences.
–Sara Eliza Johnson

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